A trick of the light
Via Junkculture I stumbled upon these remarkable photographs of Antarctic icescapes, by Belgian architect Francois Delfosse, deftly created with simply a plastic bag and some clever lighting. The trick with the scale is beguiling - I originally saw these as a sort of large scale sculptural installation: as if the plastic had frozen and gallery goers were free to traverse it.
And as one commentator noted on Delfosse's flickr, it is reminiscent of the crevasse Tintin falls into in 'Tintin in Tibet' - the bowels of the icy abyss illustrated by Hergé in blues, greys, purples and blacks.
On his website a series of postcards are available, including the series of Antarctic 'scapes, and a particularly wonderful image of the Bermuda Islands, as a quavering mirage. I especially like the way the dark, faceted and enclosed plastic bag Antarctica series feel when juxtaposed against the flat, one-hued and sparse open water surrounding the scarcely visible islands. I also have no idea of its 'authenticity', and I think I prefer to keep it that way.
I am always interested in people who appear to share interests of my own, ongoing projects which have been on a bit of a back burner of late involve both icy landscapes and mirages, in however a non-photographic capacity. I also seem to have compiled a large amount of primarily blue postcards, in particular from New Zealand, which I am wanting to do something with, but may also have to add these three images to the growing pile.
Malmö - grey city
Photographs taken around Malmö by Kris and I at the beginning of December. Taken with our new Konica C35 EF camera - picked up at a 2nd hand store (that kind of new), making a pleasant change from the safety net that is documenting in digital.
Above are snapshots of various local landmarks and such - Margaretapaviljongen in Pildammsparken; the Rose Fountain in Folkets Park; our street - with a couple of those windows being our apartment; Kris taking a constitutional in Pildammsparken; Kronprinsen - covered in a mosaic of millions of tiny blue tiles; and a self portrait riding the elevator at work.
I am intrigued as to see how the roles of film we took whilst holidaying in New Zealand turned out. (And if my photography skills have improved to a commendable level).While the camera seems to cope admirably with the greyness of a wintery Malmö, I am not sure how it has done with the overbearing brightness of New Zealand in full summer swing (maybe it was fortuitous that it rained almost the entire time we were there.)
You can find the rest of the roll on Kris's flickr.
Overcast
girl with moon, stairs by Toshio Shibata
Waiting for these grey days to wind up and spring weather to burst out of the frozen, dead ground, preferably in one of those sped up versions of the life of flora David Attenborough is such a fan of. Malmö has a shadow of Narnia about it at the moment, where it's always winter and never christmas, and I would really appreciate it if Aslan got 'on the move' before my birthday rolls around in the beginning of April.
I suppose this winter has felt a little like climbing a never ending case of stairs. At the start, it is all rather exciting, and you can't comprehend how long these stairs stretch on for, and you pause every now and again to take in the scenery and you notice how it changes the further you progress. Then you get to the stage where admiring the view is the last thing on your mind and the main priority is putting on foot in front of the other, while walking headfirst into a stiff breeze, and instead of wishing for this toil to be over, regretting that you foolishly took it on in the first place.
In the meantime I will try and follow through with a few recent plans: photograph my immediate environs regularly, practice my knot-tying technique, spend an entire day speaking swedish, and see more films at the Malmö Cinemateket.