Febreze in, febreeze out


(If Bree and I were prepared enough, we would have worn suits of fries).


While in New Zealand, I was lucky enough to have the opportunity to play some tracks with my good pal Bree Huntly at local watering hole Golden Dawn. It was a warm evening of good songs, good beers, and many friends stopping by to indulge in both of the activities mentioned above. Thank you Matthew Crawley for letting us lose on the unsuspecting public (but really it was a win-win situation) 
Special shout outs need to go my NZ fan base of young female B grade celebrities who made an appearance for this one night only event - Keisha Castle-Hughes, Annabel Fay, Ruby Frost and others whose names I have already forgotten. Hope you mentioned us in the social pages, ladies.



sustenance


Loving these installation shots of Xin Cheng's exhibition project 'Sustenance' at Split/fountain in Auckland. I am heading back there next week - (this time next week I will be in a plane, hopefully fast asleep) and am looking forward to seeing what has been happening in the Auckland art scene in my absence (if everyone is not on holiday at the time, but really who can blame them).
Will be bring some works with me, so if there exists anyone who actually bothers to read this and knows of any suitable spaces to exhibit some works on paper, inform me! (or inform the space of my awesomeness, if you hold that belief).
Be seeing you, Auckland!

I was here


Coming from New Zealand it is not often one gets to see buildings that are so grand, majestic, overwhelming, and frankly, just old. Frederiksborg Slot as it stands now was constructed between 1602-1620, though some parts date back to the original structure from 1560. This notion is rather dumbfounding to me, realising I have wandered through the same spaces as people from 400 years ago.  Every tourist cliché emerges from the woodwork and nestles in my terribly formulaic expressions as I take it all in.
The place is a visual overload - a slight dizziness comes on from turning around in wonder while staring up at the impossibly lavish ceilings, weighed down with ornately carved decorations.
In the end, the place just seemed too improbable, too removed from my reality to full comprehend it's history. It was not until I noticed the few scratches on the window pane, which I endeavoured to photograph above, that I could fully appreciate just how 'old' this place was. (the more I write here the deeper the hole I am apparently digging for myself is getting. It must be impossible to write about this sort of thing with any sort of sincerity without sounding like a bit of an ignorant ning-nong.)
Above a couple of names and a date have been scratched into the glass, a way for other tourists to leave their marks in history, and in a time where it was easier to get away with such vandalism. This was etched on in 1930, and it was quite glorious to think of others marvelling over this fantastically ridiculous building, and creating some sort of perspective for someone visiting 82 years after them.

I was reminded of Highwic, one of Auckland's historic houses open to visit. On one of the windows in a servant's room, the name 'Florence' is etched into the glass. The story goes that Florence was a housemaid who stole her mistress's diamond ring, and used it the scratch her own name into the window pane in her room.


At Golden Dawn

Kris djing in style in a typically flamboyant shirt at Golden Dawn, Auckland. One of the two occasions he dj-ed there during our trip. The second time also featured a tag-team cameo of Alex and I, recapturing the records in the summertime feeling of living together at Rocky's. Good times all-round.

First House


First House (1950) designed by Group Construction Company, later 'Group Architects'.
via the Architecture Archive, University of Auckland

Affectionately known as 'the Group', they are now the subject of a new book Group Architects: Towards a New Zealand Architecture (Auckland University Press, October 2010), edited by Julia Gatley, also responsible for the acclaimed Long Live the Modern: New Zealand’s New Architecture, 1904-1984 (AUP, 2008).
The book will be launched with an exhibition of the same name during Auckland Architecture Week 2010 at Gus Fisher Gallery. The exhibition combines drawings, photographs, models, furniture, paintings and sculpture by members of the Group. Houses, the building type for which these modern architects are best known, are depicted in photographs and models.

I wonder if 'Allan Wild and Colin Wilson in Conversation' (reproduction plywood chairs) 2008, will be included.

Three Chairs



Similar chairs - first designed by my grandfather Allan Wild for Group Constructions 'First House', in Takapuna, New Zealand. Seen in situ above, with matching plywood table and kitchen furnishings.
From Auckland University's excellent Architecture Archive.
Allan Wild and Colin Wilson in Conversation
, 2008, reproduction chairs built by my father and I, part of the exhibition 'Modern Love' at rm 103.

ROLU Furniture, found here.

Dress up, dress down town

Today I wandered down to Queen St and found myself face to face with a strange new shop: Sarpo. I believe it is the store which used to house Dymocks. It now seems to be part imported fashions from Asia, and part creepy 1950's prom dresses for 3 year olds. And perhaps the Tavi look-a-like, modelling here.
I am foreseeing a summer of many kindergarten sock-hops.