Febreze in, febreeze out


(If Bree and I were prepared enough, we would have worn suits of fries).


While in New Zealand, I was lucky enough to have the opportunity to play some tracks with my good pal Bree Huntly at local watering hole Golden Dawn. It was a warm evening of good songs, good beers, and many friends stopping by to indulge in both of the activities mentioned above. Thank you Matthew Crawley for letting us lose on the unsuspecting public (but really it was a win-win situation) 
Special shout outs need to go my NZ fan base of young female B grade celebrities who made an appearance for this one night only event - Keisha Castle-Hughes, Annabel Fay, Ruby Frost and others whose names I have already forgotten. Hope you mentioned us in the social pages, ladies.



A day trip








Boogie boarders in the surf at Port Waikato / tyre tracks in the black sand / Parents posing outside the Mercer Cheese shop / Tuakau Bridge, which leads to Port Waikato / a Bayleys exclusive property for sale / blurred Mercer cheeses / rough waters at Sunset Beach

While visiting New Zealand I generally limit myself to Auckland - apart from a week spent at the family beach house on the Whangaparaoa Peninsula (which is pretty much part of Auckland these days anyways) the main priority is to catch up with friends and family. However I do like to fit a day trip in at some point. Last time my parents and I motored northwards to Brick Bay Sculpture Park and the Scandrett Regional Park, both places I had never been to before, and both now with my seal of approval. This time I put forward the notion of heading in the opposite direction, as I never seem to venture southwards a great deal.

Driving south these days seems to take about half the time it used to, and the smooth sheen of the motorways  detract a little from the sense of adventure (as adventurous as one can be, when your parents are sitting in the front seats chauffeuring you), but as long as you take some pit stops along the way, you feel like you are off the main drag a bit, even if technically you are not out of Auckland.
We stopped in Mercer, to buy some Mercer Cheese, one of those small towns where they are all known for something. I wish we had also stopped in Pokeno, for some Pokeno Bacon. We nibbled on our mature Gouda with slices of apple as we took a scenic route of our own invention towards Port Waikato, the small settlement on the West Coast which is the mouth of the Waikato River, New Zealand's longest.

Port Waikato doesn't have any of the glamour of Piha, Bethells, or Muriwai. It's decrepit, the houses falling apart, single storied, single roomed, they all seem hunched over, sheltering themselves against the stiff breezes that pound them with salt. The surf beach goes by the rather misleading name of 'Sunset Beach', perhaps trying to trick innocent tourists into thinking it's New Zealand's answer to Home and Away's Summer Bay. But it is so unspoilt, and it's bleakness is to it's benefit. The beach was empty except for a few boogie boarders and perhaps a dog, and the surf lifesavers camped between the flags sitting in their buggy.
An overcast day, one could just stand on the beach at look out to sea, and see nothing.
I stared out into the distance as the clouds and surf spray merged with the sand dunes at the end of the spit which curves around into the mouth of the river. Apparently there is a walk you can do around there, and in the springtime sightings of dolphins and seals are possible.

We stopped at the local café/restaurant/takeaways (it was maybe the only shop at the beach, there was a sort of general store by the old wharf) and in a fit of New Zealand patriotism indulged in an L&P and a Hokey Pokey ice cream. We drove around the streets before leaving, I think I noticed a library, half the houses seemed to be for sale. If anyone wants to join me in setting up an art commune there, pretty sure we could buy the properties on the cheap.

On the return trip we crossed the Tuakau Bridge which spans the Waikato River, stopping for mandatory photo documentation. Built in 1933, in a way it served as the 'bridge' (what other word can I use) between the 'island time' of Port Waikato and the pounding repetition of everyday life.




A change in scenery


Taken the last time I was in New Zealand, at Scandrett Regional Park. Pretty much the essence of New Zealand in a photo, and I will be looking to indulge in more of the same when I touch down 15 minutes to midnight on New Years Eve. Tomorrow is my last day in Malmö for a month, pity my two favourite places just happen to be on opposite sides of the globe. Antipodes, here I come!

Gaze and Glaze

Ceramic cups and teapots by Isobel Thom as part of the exhibition 'The Berlin Years' with Saskia Leek, shown at the Hamish McKay Gallery 18 October - 10 November.

Sometimes objects are so beautiful their presence overwhelms their functionality. I have always liked to think that I would be the person who would use such things in my everyday life - and thus get the most pleasure out of them, having been incorporated into the drudgery of my routine. Then again, I broke one of my prized glasses with a picture of a vintage car on it, and am still ruing my carefree attitude towards possessions I do actually care about.

The angular shapes of the tea sets and the stackable nature of the cups are so alluring - all those modernist sensibilities captured and executed on a small scale, while imbued with a sort of zen calmness and the practiced movements of the Japanese tea ceremony. The tea pots themselves have an almost Communist feel about them, their shape and twisting lid seemingly reflecting the hammer and sickle.

I am drawn more and more towards art and designs more closely aligned with craft arts - textile crafts such as embroidery and knitting, ceramics, whittling, jewellery, the making of objects. I am at a sort of cross roads in my life at the moment, and I am not sure what I am wanting to do. All I know is that I do not want my career to be 8 hours a day sitting stationary in front of a computer, and I want to do something with my hands. I believe this is why my artworks are delicate, time consuming and hand made. It is a way of combating the pull of the internet - a direct backlash to the power of technology. Crafts seem to defy the claims that everything can be done on a computer.

Kinder's Matakatia is just the same as mine



Kotanui, Monsieur Direy's House, Whangaparaoa, 1868 / Cliffs, Whangaparaoa, near Auckland, 1868 / Kotanui Rock, Frenchman's cap, Whangaparaoa, 1868 /
via The University of Otago Library's Digital Collections

Photographs by the Reverend Dr John Kinder of Matakatia Bay and Kotanui Rock in 1868. It never ceases to amaze me that these cliffs and rocks are nearly exactly the same today as they were then. In fact I was sitting at the base of that cliff just a few months ago. My only observation is that Kotanui's hairline is receding a bit these days.

And that there appears to be a pair of disembodied legs posing at the island's base.

Just the usual, thanks



Manly Takeaways is our local fish n' chip shop whenever we are up at the family beach house on the Whangaparaoa Peninsula, just north of Auckland. The beach house was built in 1959 I believe, and almost all flat surfaces are covered in Formica, my grandfather was a Formica salesman. (I am not entirely sure about these facts, family members may correct me).
I have been going to the beach house ever since I was a baby, and I therefore assume eating fish n' chips from Manly Takeaways since then too. At the beach house I do the same things I have always done - swim for hours, go boating, eat large amounts of plums from the trees in the garden, do puzzles, read low-brow detective stories and do numerous sketches of Kotanui, the island that lies in the centre of Matakatia Bay, where our house is, always from the same angle. It has a misleading appearance: from the front, it is like a witch's hat settled on the water, but from the side is more like a rather prominent nose protruding from the sea.
Beach house holidays are a time for doing the same things I have always done. The menu boards at Manly Takeaways do nothing but add to the dingy 70's charm of the place, as I always always order the same thing - a fish, a hot dog (in the NZ fashion - a battered sausage on a stick doused in sauce) and a helping of chips. Actually, I think my entire family still all order the same things they did ten, fifteen years ago.

The map is one of two aerial photos which hang in the fish n' chip shop. Here it shows Matakatia Bay around the early 1960's, with the beginnings of the reef which stretches out to the island. Every time we get fisn n' chips, I make a point of spotting the beach house in the photo. Ritualistic, almost, just like everything else about my weeks spent up there.


Blå bilder




Eugene and Chris Carr fishing off the rocks / the queue of people waiting to board the ferry from Rangitoto / Kris surveying the landscape while walking towards Islington Bay, Rangitoto / reclining rods on the wharf near Okahu Bay, Tamaki Drive. Taken with a Konica C35 EF.


After months of dulling grey Malmö skies, which seem to have seeped into my head and clouded my memories of my trip to Auckland like a heavy fog, things are looking up. The Spring equinox has come and gone, officially opening the season, and with daylight savings beginning tomorrow evening and positively balmy temperatures of 14 degrees, blue skies and long light evenings loom ahead of me. And finally, showing some photos of my 6 weeks in New Zealand doesn't feel like looking at Oz from the greyscale of Malmö's Kansas.

Though the actual weather in Auckland left much to be desired (daily surprise rainfall, blustery gales,constant cloud cover) I cannot help but associate the holiday with the colour blue, spending days clambering over rocks of Rangitoto, having 2 hour swims in the sea two times a day, fishing around the rocks at Matakatia and failing to catch anything, following the bays around Tamaki Drive, kayaking on the sailfish built by my uncle and grandfather, or rowing in the dory before it mysteriously vanished from the beach one morning never to be heard of again. Fate to this day, is unknown.
I could never live anywhere that wasn't near the sea. Swimming in the rain is one of the best feelings, and so is swimming in the early morning.

Looking at these is making my feet itch, wanting to take my new Marni for H&M swimsuit down to the beach for a dip. I now have three pairs of togs, and all of them are blue. Must be something subconscious about wanting to blend into my surrounds.

At Sea



Clinton Watkins
Cont Ship #1
2005



Joseph Cornell
Jack's Dream
c. late 1930's




























The abandoned Teignmouth Electron is discovered: Donald Crowhurst's trimaran in which he attempted the Golden Globe Race, that would result in his eventual insanity and suicide.

via, via, via

The image from Jack's Dream by Joseph Cornell comes from a fascinating blog by the name of the art of memory, in particular a collection of atmospheric imagery of the ocean, film stills featuring the sea, illustrations of ships, fog lights and horns, misty rigging and alongside paintings and photographic works of waves. I stumbled across it looking for film stills from L'avventura (Antonioni, 1960).

My interest in islands and the sea grows continuously. Ships are, in a way, similar to moving islands. So much mystery surrounds both, and both can maintain an almost continuous isolation as long as one is deprived of the other.

Line and Length


































































Shusaku Arakawa
morning box, portrait of a civilization (1969)
via Ro/Lu

Macrame on wood
via an ambitious project collapsing

Langley House by Warren & Mahoney
(1965)
17 Michael Ave, Christchurch, New Zealand
via Christchurch Modern


continuing exploring my interests in lines, and lengths of materials used to make other lines, mainly in craft and architecture.  sometimes it is hard to gather up all these different threads of interest in my head and to try and arrange or make sense of them in a more linear, less scatterbrained manner. perhaps once i recommence employment in a library, beginning on the first of next month, my catalogued and ordered surrounds will transfer into the rest of my life.

A whiteness of swans





Suddenly found myself surrounded by feathered fellows on my first Swedish/winter christmas.
Metal Swedish bird decoration circa 1970's / drawing of a Tui by my father / coloured paper peacock decoration.


different names for groups of different birds:

A raft, flock, colony, covey, dissimulation, fleet, flight, parcel, pod, volery, sedge, chain, bellowing, wake, tok, mews, peep, brood, cletch clutch, clattering, chattering, cover, commotion, covert, rasp, swarm, gulp, hover, murder, muster, parcel, storytelling, head, herd, trip, dole, dule, piteousness, pitying, prettying, dopping, plump, padding, team, fling, convocation, mob, cast, charm, trembing, stand, wedge, gaggle, nide, skein, drum, troubling, lek, pack, bazaar, confusion, screech, aerie, kettle, moulting, screw, stream, seige, hedge, rookery, train, band, party scold, deceit, desert, exaltation, ascension, bevy, tiding, tittering, tribe, congregation, lute, flush, puddling, sute, sord, richness, watch, parliament, stare, company, pandemonium, psittacosis, bew, warren, muster, pride, ostentation, creche, huddle, bouquet, Nye, pheasants, kit, loft, bunch, rush, knob, run, conspiracy, unkindness, crowd, building, clamour, hill, sea, cloud, squabble, doading, exultation, walk, wisp, host, quarrel, ubiquity, numeration, scourge, phalanx, eyrar, bank, drift, game, lamentation, sownder, squadron, whiteness, whiting, diving, spring, mutation, raffle, rafter, coil, trip, fall, descent.

I'LL KEEP IT WITH MINE

I'LL KEEP IT WITH MINE - NICO
I'LL KEEP IT WITH MINE - DEAN & BRITTA
I'LL KEEP IT WITH MINE - RAINY DAY








I think I could spend a whole dj set playing multiple versions of the same songs, and no one would even notice.

3 versions of the song I have been listening to most this week, obsessively. I think I spent an afternoon repeatedly playing 5 different versions of this song (including a bootleg version by the author, Bob Dylan, and another by The Resonars), until I had listened to the song about 20 times.
I still keep changing my mind about which I prefer the most. At the moment I think it is Nico's and that is the one I plan on playing when I am djing next Wednesday in the bar under my apartment.
I am really enjoying listening to different versions of the same songs at the moment - 'I'll Keep It With Mine' aside: covers of the Kink's 'Stop Your Sobbin'' has had heavy rotation; I just heard Tracey Thorn doing a cover of Lee Hazlewood's 'Come On Home With Me'; a brilliant cover of Jerry Lee Lewis' 'Great Balls of Fire' by an obscure 60's New Zealand band, The Librettos, all slowed-down and moaning; The Miracles/Beatles/Zombies respective versions of 'You Really Got A Hold On Me'.

Perhaps I should start a collection of different versions of the same songs.
Then I could have an 'I'll Keep It With Mine' for every occasion.
I still think repetitive actions, such as listening to the same song multiple times, give me good ideas.

Skriv om din familj


Granny receives her new ride

Min far kommer från en ganska stor familj också. Han är ett av sju barn, och han bodde i ett gammalt hus i Wellingtons höjder. 1964 vann min farmor en tävling som heter 'Mini for Mum' och hon fick en ny bil.
Hon kunde passa in sju barn och en livlig hund i bilen.



The family get ready for a day at the beach

An excerpt from a piece of text I wrote for Swedish class. I now study Swedish every weekday morning and spend my time fabricating family histories to read out in class. The tale mentioned above might even be true.
It is nice knowing I can say "she could fit seven children and a lively dog in the car" in another language.

Grim Rieper







My costume for this halloween was Pauline Rieper/Parker, one half of the notorious Parker-Hulme teenage murdering duo, found guilty in Christchurch, New Zealand, in 1954 for the murder of Pauline's mother, thus providing the basis for Peter Jackson's 1994 film Heavenly Creatures.
Together they created an elaborate fantasy realm, 'The Fourth World', and hoped to sell their epic tales of adventure for adaptation to Hollywood films.
Pauline is best remembered for her detailed diaries, hatred of Orson Welles, and her love of Mario Lanza and Juliet Hulme.
Pauline's mother was viewed as the one stumbling block in the two girls' relationship, as both sets of parents began fearing the friendship bordered on homosexuality, and had decided complete separation was the only way to cure this 'mental illness'. Pauline and Juliet reasoned the only way they could be assured of staying together would be to bludgeon Mrs Rieper with half a brick in a stocking in a secluded part of Victoria Park.



Excerpts from Pauline's diaries:

We have decided how sad it is for other people that they
cannot appreciate our genius . . .
. . . but we hope the book will help them to do so a
little, though no one could fully appreciate us.

To think that so much could happen in so little time,
caused by so few. A terrible tragedy has occurred . . .

Mother woke me this morning and started lecturing me
before I was properly awake, which I thought was somewhat unfair. She
has brought up the worst possible threat now. She said that if my
health did not prove I could never see the Hulmes again. The thought is
too dreadful. Life would be unbearable without Deborah . . .

I rang Deborah immediately as I had to tell someone
sympathetic how I loathed Mother.

One thing Deborah and I are sticking to: through
everything, we sink or swim together.

Anger against Mother boiled up inside me as it is she who
is one of the main obstacle in my path. Suddenly a means of ridding
myself of this obstacle occurred to me. If she were to die . . .

ISSUES

LIBRARY CARD PROTEST OVER WITCHCRAFT

NZPA

A Wairarapa Christian minister is crusading against what he says is Masonic paganism by renouncing his library card.

John Cromarty, of St David's Church in Carterton, objects to a Masonic Lodge being used as a temporary library because he says the group is connected to witchcraft, the Wairarapa Times-Age reports.

In a letter to Carterton Mayor Gary McPhee, Mr Cromarty said he and his wife had handed in their library cards and were asking their friends not to visit the lodge, which was housing the town's books while a new events centre was built.

He said while Freemasonry did some good in the community and portrayed a facade of being compatible with Christianity, its foundations were rooted in witchcraft and paganism.

A past master and a Freemason of the lodge, Warwick Cashmore, said Mr Cromarty's attitude was extremely disappointing.

"The basic tenants of freemasonry are brotherly love, relief, and truth," he said.

By Rail


Last weekend my parents travelled back to Auckland from Wellington by steam train. I wish I had done that before I left New Zealand. What a majestic beast.

First House


First House (1950) designed by Group Construction Company, later 'Group Architects'.
via the Architecture Archive, University of Auckland

Affectionately known as 'the Group', they are now the subject of a new book Group Architects: Towards a New Zealand Architecture (Auckland University Press, October 2010), edited by Julia Gatley, also responsible for the acclaimed Long Live the Modern: New Zealand’s New Architecture, 1904-1984 (AUP, 2008).
The book will be launched with an exhibition of the same name during Auckland Architecture Week 2010 at Gus Fisher Gallery. The exhibition combines drawings, photographs, models, furniture, paintings and sculpture by members of the Group. Houses, the building type for which these modern architects are best known, are depicted in photographs and models.

I wonder if 'Allan Wild and Colin Wilson in Conversation' (reproduction plywood chairs) 2008, will be included.